Steve Gerson writes poetry and flash about life's dissonance and dynamism. He's proud to have published in Panoplyzine, Hungry Chimera, Write Launch, Route 7, Coffin Bell, Poets Reading the News, Crack the Spine, Riza Press, White Wall Review, Abstract, Decadent Review, Indolent, Snapdragon, Underwood Press, and In Parenthesis.
Phillipe Martin Chatelain / @uptownvoice / Phillipe is the Managing Editor of In Parentheses. He is a poet from New York City with a Masters Degree in Poetry from The New School. He writes as someone in the tradition of the urban troubadour or the flaneur–wandering, taking notes. He believes that poetry of our generation has taken on a much more digital definition. Furthermore, it is important for New Modernist writers like those exhibited in In Parentheses Literary Magazine to assume the forms of media available in order to carry on the history of Sublime Art. His series taking shots alone was self-published in 2012-2015. The self-published collection FACETS (2019) is now available.
In Parentheses would like to present this collection of poetry by D. H. Horton, whose work will be forthcoming in Volume 6. They are written in the style of Russian film theorist Sergei Eisenstein’s methods of montage: Metric, Rhythmic, Tonal, Overtonal, Intellectual. We have the privilege of presenting this selection of poetry with an accompaniment of audio from the author’s reading. In this first installment, Horton will explain briefly their methods, inspiration, and process with specific regard to the selections herein. Please join us again in a future post to continue the conversation as we complete the series.