In Parentheses would like to present this collection of poetry by D. H. Horton, whose work will be forthcoming in Volume 6. They are written in the style of Russian film theorist Sergei Eisenstein’s methods of montage: Metric, Rhythmic, Tonal, Overtonal, Intellectual. We have the privilege of presenting this selection of poetry with an accompaniment of audio from the author’s reading. In this first installment, Horton will explain briefly their methods, inspiration, and process with specific regard to the selections herein. Please join us again in a future post to continue the conversation as we complete the series.
Tag: salt and iron
In Parentheses would like to present this collection of poetry by D. H. Horton, whose work will be forthcoming in Volume 6. They are written in the style of Russian film theorist Sergei Eisenstein’s methods of montage: Metric, Rhythmic, Tonal, Overtonal, Intellectual. We have the privilege of presenting this selection of poetry with an accompaniment of audio from the author’s reading. In this first installment, Horton will explain briefly their methods, inspiration, and process with specific regard to the selections herein. Please join us again in a future post to continue the conversation as we complete the series.
In Parentheses would like to present this collection of poetry by D. H. Horton, whose work will be forthcoming in Volume 6. They are written in the style of Russian film theorist Sergei Eisenstein’s methods of montage: Metric, Rhythmic, Tonal, Overtonal, Intellectual. We have the privilege of presenting this selection of poetry with an accompaniment of audio from the author’s reading. In this first installment, Horton will explain briefly their methods, inspiration, and process with specific regard to the selections herein. Please join us again in a future post to continue the conversation as we complete the series.
In Parentheses would like to present this collection of poetry by D. H. Horton, whose work will be forthcoming in Volume 6. They are written in the style of Russian film theorist Sergei Eisenstein’s methods of montage: Metric, Rhythmic, Tonal, Overtonal, Intellectual. We have the privilege of presenting this selection of poetry with an accompaniment of audio from the author’s reading. In this first installment, Horton will explain briefly their methods, inspiration, and process with specific regard to the selections herein. Please join us again in a future post to continue the conversation as we complete the series.