“Diffraction II” by J. Sexton

diffraction / john sexton / in parentheses / volume 6 / 2021

As a budding photographer in a nondescript suburban town, I have to look inwards and use a creative and generous spirit to create artful and unique pieces since I have no access to a pretty beach or cascading mountain. I specialize in long-exposure techniques that capture notions of movement.
John Sexton

From the Editor:

We hope that readers receive In Parentheses as a medium through which the evolution of human thought can be appreciated, nurtured and precipitated. It will present a dynamo of artistic expression, journalism, informal analysis of our daily world, entertainment of ideas considered lofty and criticism of today’s popular culture. The featured content does not follow any specific ideology except for that of intellectual expansion of the masses.

Founded in late 2011, In Parentheses prides itself upon analysis of the current condition of intelligence in the minds of these young people, and building a hypothesis for one looming question: what comes after Post-Modernism?

The idea for this magazine stems from a simple conversation regarding the aforementioned question, which drew out the need to identify our generation’s place in literary history.

To view the types of work we typically publish, preview or purchase our past issues.

Please join our community on Facebook, Twitter, or Instagram at @inparenth.

In Parentheses Magazine (Volume 7, Issue 3) Winter 2022

By In Parentheses in IP Volume 7

32 pages, published 1/15/2022

The Winter 2022 issue of In Parentheses Literary Magazine. Published by In Parentheses (Volume 7, Issue32)

In Parentheses Magazine (Fall 2020)

By In Parentheses in Volume 6

80 pages, published 10/15/2020

The FALL 2020 issue of In Parentheses Literary Magazine. Published by In Parentheses (Volume 6, Issue 2)

Author: Mr. Phillipe

Phillipe Martin Chatelain / @uptownvoice / Phillipe is the Managing Editor of In Parentheses. He is a poet from New York City with a Masters Degree in Poetry from The New School. He writes as someone in the tradition of the urban troubadour or the flaneur–wandering, taking notes. He believes that poetry of our generation has taken on a much more digital definition. Furthermore, it is important for New Modernist writers like those exhibited in In Parentheses Literary Magazine to assume the forms of media available in order to carry on the history of Sublime Art. His series taking shots alone was self-published in 2012-2015. The self-published collection FACETS (2019) is now available. View all posts by Mr. Phillipe