“Pick the Right Bus” by C. Du


Chen Du has a Master’s Degree in Biophysics from Roswell Park Cancer Institute, SUNY at Buffalo and another in Radio Physics from the Chinese Academy of Sciences. In the United States, her essay has been published by The Dead Mule and Hamline University English Department. Find her online at ofsea.com.

Artwork by Edward Michael Supranowicz


Pick the Right Bus

Having ridden to work in a bus more than three hundred times over the past year, I have found that the Route 35 bus, which arrives on the west side of the roundabout in front of the South Gate, a famous tourist attraction in the city, could save me more time than the Route 800 bus, which arrives on the east side of the roundabout. It is because the Route 800 bus needs to pass two passenger-controlled traffic lights, between the east side and the west side of the roundabout. So every morning around 8:10 a.m., I purposely miss the Route 800 bus and wait for the Route 35, which always comes about a dozen seconds later than the other bus. Even though I get on the later bus, I could potentially arrive at the roundabout earlier.

In our life, we have waited for buses, taxis, trains and flights. During these processes, there are things we can control. For example, we can control when, where and how to wait. Nevertheless, there are also things we cannot control. These things include: when and which vehicle will arrive. The more experience we have in this regard, the more possible it is for us to develop strategies. For example, we can plan whether or not to board when a bus arrives and which bus to take.

Similarly, in our life, we have waited for all kinds of things to happen, such as, exams and graduations, work and receiving awards, meeting people and finding love. Some of the things we await arrive to us on time, some come to us late, and some may never happen. Just like waiting for a bus, there are situations we can control, and there are also instances we cannot control. In addition, we not only wait for those things to happen, but also wait for the right things to happen. Indeed, taking a bus is totally different from taking the right bus. It seems like that the more a thing is determined by the self, the more easily one can succeed in finding the right “bus”. It is also true that the more experience one has, in regards to waiting for and picking the right “bus”, it is easier for him or her to develop a strategy and succeed in picking the right “bus”.

It turns out that this strategy of mine doesn’t always work. Once, after I embarked on the Route 800 bus without the patience to wait for the Route 35 bus, it ran towards the green traffic light happily and passed it triumphantly. Meanwhile, I saw from the rear window of the bus that the Route 35 bus, which was following, was stopped by the traffic light that had turned red. Then, the traffic on the rest of the road was pretty good, and the Route 800 bus passed the two passenger-controlled traffic lights without having to stop. As a result, I arrived at the roundabout earlier than if I took the Route 35 bus.

Indeed, experience is the best teacher; nonetheless, people can make the same choices or mistakes again and again. This is especially when there are limited experiences to learn from. In addition, even if one can make the best decision, by carefully comparing the pros and cons of different choices, unexpected things do happen. For example, traffic can be affected by a national holiday, which can directly influence the number of passengers at the two passenger-controlled intersections or the number of private cars on the road.

We then enrich our experiences, calculate our chances, adjust our strategies and try to make a smarter choice each time. Even so, I sometimes still cannot predict whether the Route 35 bus or the Route 800 bus will arrive at the roundabout first as emergencies do happen. For example, very occasionally the bus I take may malfunction and stop half way to the roundabout. For the first time, I profoundly realize how life is composed of a myriad of journeys. We prepare for a journey, take the trip either willingly or unwillingly, rush towards a specific destination, but we are not 100% sure whether or not we have chosen the right path. Eventually we arrive at our destination either in time or late, either successfully or in vein. It is even possible that we take the wrong trip and arrive at a different destination.

Truly, all things are possible. We cannot pick the right bus always, but we can try, learn, grow, accept and wait…


From the Editor:

We hope that readers receive In Parentheses as a medium through which the evolution of human thought can be appreciated, nurtured and precipitated. It will present a dynamo of artistic expression, journalism, informal analysis of our daily world, entertainment of ideas considered lofty and criticism of today’s popular culture. The featured content does not follow any specific ideology except for that of intellectual expansion of the masses.

Founded in late 2011, In Parentheses prides itself upon analysis of the current condition of intelligence in the minds of these young people, and building a hypothesis for one looming question: what comes after Post-Modernism?

The idea for this magazine stems from a simple conversation regarding the aforementioned question, which drew out the need to identify our generation’s place in literary history.

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In Parentheses Magazine (Volume 7, Issue 1) Summer 2021

By In Parentheses in IP Volume 7

100 pages, published 7/15/2021

The Summer 2021 issue of In Parentheses Literary Magazine. Published by In Parentheses (Volume 7, Issue 1)

Author: Mr. Phillipe

Phillipe Martin Chatelain / @uptownvoice / Phillipe is the Managing Editor of In Parentheses. He is a poet from New York City with a Masters Degree in Poetry from The New School. He writes as someone in the tradition of the urban troubadour or the flaneur–wandering, taking notes. He believes that poetry of our generation has taken on a much more digital definition. Furthermore, it is important for New Modernist writers like those exhibited in In Parentheses Literary Magazine to assume the forms of media available in order to carry on the history of Sublime Art. His series taking shots alone was self-published in 2012-2015. The self-published collection FACETS (2019) is now available.

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