Thom Young is an artist and caregiver living in Kansas City, Missouri. BESPOKE, a long poem, was published by Saint Andrews University Press in 2019. Other work has appeared internationally.
Horrorfield
Leave me on unending light
In the shower I remember deleterious
How would it feel
Relish in an image of pain
Cabbage become relish
Remember your vision?
273 131 1.5
Followed a cop for thirty miles
Everything comes out in the revision
Scored the core of the fennel bulb
Cleared the path clean
Probation officer knocks on my door by accident
He tells me it is locusts I hear sawing through the night
The winter remains cold, almost colder
Lynn always worried about the unevenness,
But now it’s been made new
Rise in anticipation
What can I recycle from the other
Scrap or salvage? Choice in choice—
It interlocks amidst desires
Left the church over a paleontological disagreement
Listen to the sermon on your back porch, drive-thru prayer
Let cute be the medium of all future communications
Thirty pages of nothing
Rock floating in stream of change
—by a shark, at the beach (inevitably)
Hit by a car hit by a car hit by a car
Watched her die in my hands, at the end her eyes were white and
‘What loss the world to never see
We let the mirror sit outside
Ran over the crop with blades
Psychomanteum: place of divination, of summoning the dead
Candles lit outside at night provide inadequate light
Death poem sprawls over pages in an evaporation become reflection
Words we cannot use
Chant from your grave how you have it better off
Long beans searing thirty minutes
I summoned your soul in my spare room
Flat tire along the highway, nowhere, nighttime
Failed corn experiment, stalk paralyzed
Fire in the spot left the whole thing rotten
Gone, gone so the yard is covered in kudzu, house taken—
Something ate the sage
Ontology of underwear
His next project is a bust of God
The scratches continue under the floor
An aneurysm, they moved in while she was in hospital
I only waited three days, but I hesitate to call it waiting
He is a failed carpenter, she is a nurse
City fines keep going up
Place of death
Emotional affair, can it be called a friendship
A preference towards single men
Can’t go in the temple
Morning looks like aim
Abby asks about beneficial friends
Mobility around tragedy, response time, management of societal pain
Leaves the scene of their own crime
Our appearance here prevents them thinking we do nothing
Accident turned us around and that’s when it happened
I imagine it could have been a fugue, but they lacked transposition
What gift will you leave the king
At work, I wear two masks
Tell them you are one with the Christ
Only thing I wanted from Florida was to see a manatee
Begin with the end in mind
Road washed out by Smoot Park
Old smoke stack towers over town to remind of lost industry
Every corner crested by a shadow figured from my mind
Alternate route through wealth
Escape logic, arrives upon the scene
Savor this moment when we are heroes
From the Editor:
We hope that readers receive In Parentheses as a medium through which the evolution of human thought can be appreciated, nurtured and precipitated. It will present a dynamo of artistic expression, journalism, informal analysis of our daily world, entertainment of ideas considered lofty and criticism of today’s popular culture. The featured content does not follow any specific ideology except for that of intellectual expansion of the masses.
Founded in late 2011, In Parentheses prides itself upon analysis of the current condition of intelligence in the minds of these young people, and building a hypothesis for one looming question: what comes after Post-Modernism?
The idea for this magazine stems from a simple conversation regarding the aforementioned question, which drew out the need to identify our generation’s place in literary history.
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By In Parentheses in Volume 10
48 pages, published 10/15/2025

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