“Tell No One” And More Works by Mark J. Mitchell


Mark J. Mitchell has been a working poet for forty years. His latest full length collection is Roshi:San Francisco published by Norfolk Press. He lives with his wife, the activist, Joan Juster. A small online presence exists https://www.facebook.com/MarkJMitchellwriter/
A primitive web site now exists: https://mark-j-mitchell.square.site/
I sometimes tweet @Mark J Mitchell_Writer

Artwork by Edward Michael Supranowicz featured originally in Winter 2021 Issue of In Parentheses.


Tell No One

We’ll show our hidden discipline— women whisper
but never tell men. First, we plant
love’s news in palest pinks. That way the young
will know who to marry—something no man
can read. Then we weave mysteries with leaves,
foretelling travel but never wealth. Some
small flowers are only blooms that we liked.
We won’t tell you which ones. Dark petals grieve
the lost and lost to come. Goddesses collect
those after moonrise. They desire that bite
of fresh tears. Rosy ones are words we can’t
pronounce or read. There’s one deep, secret sin
in each circle because it all connects.

Guided Hearts

This dream stops and starts where a heart should be:
An empty city whose name doesn’t fit
this skyline. Lost tourists ask if you see
their hearts, gone missing since that big storm hit
the other coast. You can’t tell them. You lie,
say you lived here before. They blink and nod
and follow. Stories are told as you try
to remember where your heart rests—near a god’s
empty home, you think. Lost in tourist talk,
a building rings with her face. You still walk
backwards, praying not to fall as they see
sights you still can’t name but they can’t miss.
You’re sitting in an oarless boat. The sea’s
calm as glass. No city. No heart. Just mist.

The Flowers of Eden

The book’s silent because Adam got caught
by beasts. Their names swallowed all the short time
the garden gave. He never looked around.
Eve, pleased by blossoms, by smells God had wrought,
played daily. She breathed petals, soft as sounds—
whispers, “Tulip. Daisy. Magnolia. Lime.”

Casida of the Bedside Vase

The drift of white roses
teases her dreams:

She twirls
around a movie meadow
singing snow songs
she never learned.

Now she’s the last
queen under
different stars—air
crisp as a cough drop.

Her white crown
is unbalanced
on her sleeping head.
Church bells ring

loud as morning
becoming her alarm,
which knocks one
white petal
loose.

Probate

A dying man coughed as dying men will—
A sound weak and wet you wouldn’t quite hear.
He stretched a bent hand—he knew now and here
was one last chance to scratch a perfect will.
He wished he’d owned a kiss of truth. His son
could use that more than money and besides,
there was no cash to leave—both losing sides
in his wife wars saw to that. The last sun
he’d ever see was sinking fast. Its red
beams slicing gray clouds. Winter air punched holes
in old lungs. His slow fingers pushed the pen
across his page. He wondered what happens
after this. He wasn’t sure. Through his whole
life, he’d forgot every church word they’d read.


From the Editor:

We hope that readers receive In Parentheses as a medium through which the evolution of human thought can be appreciated, nurtured and precipitated. It will present a dynamo of artistic expression, journalism, informal analysis of our daily world, entertainment of ideas considered lofty and criticism of today’s popular culture. The featured content does not follow any specific ideology except for that of intellectual expansion of the masses.

Founded in late 2011, In Parentheses prides itself upon analysis of the current condition of intelligence in the minds of these young people, and building a hypothesis for one looming question: what comes after Post-Modernism?

The idea for this magazine stems from a simple conversation regarding the aforementioned question, which drew out the need to identify our generation’s place in literary history.

To view the types of work we typically publish, preview or purchase our past issues.

Please join our community on Facebook, Twitter, or Instagram at @inparenth.


In Parentheses Magazine (Volume 7, Issue 2) Fall 2021

By In Parentheses in IP Volume 7

112 pages, published 10/14/2021

The Fall 2021 issue of In Parentheses Literary Magazine. Published by In Parentheses (Volume 7, Issue 2)

Author: Mr. Phillipe

Phillipe Martin Chatelain / @uptownvoice / Phillipe is the Managing Editor of In Parentheses. He is a poet from New York City with a Masters Degree in Poetry from The New School. He writes as someone in the tradition of the urban troubadour or the flaneur–wandering, taking notes. He believes that poetry of our generation has taken on a much more digital definition. Furthermore, it is important for New Modernist writers like those exhibited in In Parentheses Literary Magazine to assume the forms of media available in order to carry on the history of Sublime Art. His series taking shots alone was self-published in 2012-2015. The self-published collection FACETS (2019) is now available.

enter the discussion:

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s