Donald Watson is now retired after decades of university teaching and administration. He has published scholarly books, articles, and reviews and also has fiction and poetry in literary journals. His prize-winning poem will appear in the July issue of Writer’s Digest. Further publication details upon request.
An Hour at the Goodwill
off on a tangent to squander
an hour at a new store
in an upscale neighborhood —
sport jackets suits of unknown sizes
not worth the effort browsing shelves of novels
cookbooks tables of bric-a-brac knick-knacks:
the discarded, the chipped, the obsolete, the forgotten.
Reagan/Bush 84 campaign pin,
Mason jar of seashells seaside postcards from the 1950s
single-story motels on the beach
bagatelles, keepsakes, tchotchkes, heirlooms
stir the imagination:
a brooch Nana wore the day before her stroke?
silk paisley ascot and garnet earrings
the newlyweds on their honeymoon?
a snow globe with the Eiffel Tower — another
with Snoopy, Charlie Brown, and a Christmas tree
Eric Carle’s hungry caterpillar and Luna moth
dozens of Golden Books Doctor Seuss
A tourist’s guide to France – in Spanish
do these discards
feel sad, abandoned for sale for fifty cents —
displaced wanting to be again
in the kids’ room with Green Eggs
family photos and birthday cards on the mantle with a fat scented candle
items deserving a yard sale –
a rust-colored loveseat
painted and stained chairs
tables, nightstands, a Naugahyde recliner
Lucky jeans like new
a Merino sweater, a Michael Kors blouse
with the Macy’s tags attached
a Notre Dame sweatshirt
a t-shirt with Tina Turner
and the dates of her tour
New items every Tuesday
We will be here again
Grilling on the Tower
chimney of hot coals added to embers sparks
ash charcoal ruins flutter escape
black leaves travelling through smoke rising
from the grill black butterflies drift
fall on a denim knee on potato salad bread
black leaves floating dead souls ghosts
black butterflies drift foretell
the fall of kingdoms bats’ wings
add the Sunday comic pages
add the hickory chips
energy to quicken embers
smoky fume for lichen on the brick wall
sparrows pass beneath the umbrella
to peck crumbs and seeds
Spring afternoons among shadows–
gusts waft salad greens from the teak bowl
paper plates sail into rose bushes
fragrances surround the terrace
clouds pass across the sky
darkens humidity drops
the rain is approaching, dancing
across April fields up hills
down trails watering the garden’s wildflowers
to partner with lilies swaying in the breeze
three cherubs hugging a plaster column support the bath for three birds
splashing with the rain’s idioms
the orange tabby huddles
under a chair and watches—
the ghosts of luncheon guests
gaze at the steam rising from the grill
The Nightly News
A few survivors search the remnants:
a boot, a sock, a radio, toys, a doll buried beneath broken walls
a silver bracelet and a pencil box, a mangled bicycle wheel and handlebars
Listening for a sound: a few dogs barking in the distance,
the scrape and clink of a shovel and the rumble of a bulldozer far away
The human stench of what they hope and don’t hope to find,
Wandering through the debris from the schools and the hospital
a bloody shirt rests on the rusting hood of small truck
Is this the scene of a Category 4 hurricane? Destruction from its violence and its
companion floods, tornadoes, and thunderstorms?
Winds powerful enough to flatten cities?
No, this is Gaza, not central Florida, Houston, or the Great Plains.
This is Tehran, not a natural disaster aftermath. This is the carnage
from a barrage of bombs and missiles
from American weapons
sent from the world’s largest arms dealer,
but that’s jobs for American workers and profits for America manufacturers
we watch through our windows six thousand miles away.
Four experts around an oval glass table, take in the image
with us, breaking news, inflation, unemployment, interest rates.
Politics a spectator sport, infotainment
below the table high heels crossed at the ankles,
opposite the brown wingtips with white soles,
each with a white coffee mug and note pad,
a pen, but none drinks or writes,
In a city with few ideas, men in dark suit and red ties,
too busy to pretend empathy
Autumn Bulbs
Autumn collects the colors of late October’s
gathering leaves, the afternoon’s shadows longer
after planting the bulbs, pruning, weeding, sitting
on the garden bench with the shovel and rake,
trowel in hand, imagining next spring’s
jonquils, ranunculi, dahlias, begonias.
A few rose petals remain. Two squirrels,
chasing each other, circle the oak;
the twilight deepens the sky, portends arrival.
The twenty-sixth, last Sunday of the month,
soon November and the promise of camellia
and gardenia whites, the magnolia’s grand greenery.
Northern winds scatter reds and gold, brown and orange
across the faded lawn and set off a chorus of windchimes
swaying under the bare limbs of the cherry tree.
No need to want more comfort or consolation.
This is more than good enough, I could never wish
for a better afternoon’s planting and pleasure.
The aroma of lamb stew as it simmers in the Dutch oven.This is not an afternoon to be spoiled by metaphors.
My Siblings
I know she’s there, my sister, standing behind me,
watching me wash my face, brush my teeth.
I never had a sister.
In the mirror my brother and I look much alike,
almost twins, only he’s older.
He wants to shoot hoops or play catch
or golf or go to a movie.
I never had a brother. I always wanted one.
I wanted a younger sister to ask me
to help with math or an essay.
I never had a sister. I wanted one.
My back is to my brother but I know
he’s watching me assemble a sandwich.
I know he’s thinking mustard, swiss, and ham
but he doesn’t say anything, but I know….
I have no brother. I never had a brother.
He disliked turkey, tomato, and mayo
I take my lunch into my room and close the door.
I sense him at the door deciding whether to knock,
but he doesn’t. I never had a brother.
From the Editor:
We hope that readers receive In Parentheses as a medium through which the evolution of human thought can be appreciated, nurtured and precipitated. It will present a dynamo of artistic expression, journalism, informal analysis of our daily world, entertainment of ideas considered lofty and criticism of today’s popular culture. The featured content does not follow any specific ideology except for that of intellectual expansion of the masses.
Founded in late 2011, In Parentheses prides itself upon analysis of the current condition of intelligence in the minds of these young people, and building a hypothesis for one looming question: what comes after Post-Modernism?
The idea for this magazine stems from a simple conversation regarding the aforementioned question, which drew out the need to identify our generation’s place in literary history.
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By In Parentheses in Volume 10
68 pages, published 7/15/2026
In Parentheses is currently reading submissions. Please see the guidelines and submit multimedia, photography, illustrations, poetry, prose, or editorials here.


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