A writer from the Bronx, Kevin Perez-Sanchez has been writing for nine years. His pieces draw heavily from his own experiences as well as the stories and experience of many others he has met. He hopes that readers feel as much reading these pieces as people did when relaying those deep emotions to him.
Kevin’s work has been previously featured in Volume 10 of In Parentheses.
Heavy Degree
Elation drowns in my memories.
Receive, return, and lay in comfortable pain.
At dawn, a stubborn pride seethes.
Execrate the day it didn’t rain.
Crushed by your heavy degree.
If I brook this torment, do you still die in vain?
Curled on cement, I whisper apologies.
My future aches all the same.
Does spirit make up for misery?
Though it is left ripped and maimed,
Is it so strange to feel free
When liberty builds cages around my brain?
When I wail, come back to me.
Tell me it’s the ashes in which you remain.
I hold them in my sleep.
What a child your son became.
Only on a graduation stage
Do I feel the drain.
Would you feel ashamed
If you heard my name?
Sanguine heartbeats
As the light comes to a close,
This cave grows dark.
In the pitch black,
I find difficulty staying still.
Down in the mud,
I find difficulty keeping quiet.
In the cave, I feel so alone.
In the cave, I am so alone.
But, with incidental vim,
Without a light at all,
Without a mouth,
I scream.
A cry not meant for others.
These cries are meant for me.
Guardian
An infallible god born man
Claws truth towards him
With eyes made right,
With a mind carved marble.
Born to love.
To, by proxy, die.
Trekking lifespans of blunder-men
Who fill one’s heart with theirs.
When they fall,
An instinctual rage spirals
As your eyes are not the same.
Holding the cadaver
Made of soul and pride.
Heavy flesh.
You’re holding heavy flesh.
Tragic Junctures
Where were you?
That such a thing would scream
Would be completely confounding.
I’ve found you now
In these tragic junctures.
You’ve always been there,
Between the words and screens,
But, these eyes won’t read.
In a sea of so many
Heart-weighing memories,
One can barely see
That it’s always been the entire thing.
A warm honey filled chest
Propels my hand towards yours.
Your nails feel real to me
During our temporary scenes.
Hold me close.
I’ll settle for your hand,
For any piece is loving treasure.
Math
Beyond the horizon,
A man stands.
The sky is clear, open and vague.
There, a man stands.
Wind breaks and splits around him.
From afar, you put out your hands.
He can touch you.
Don’t cry, don’t scream.
A man simply stands.
Around you space bends, staying intact,
Your space of which he spans.
Only when the body shakes,
Does one notice that the horizon expands.
He can see you.
As he approaches, he moves farther apart.
You try to move, to see if you can.
Move, move, move
Your toes in the sand.
But you can’t, you really can’t.
Eye to eye, the man stands.
He cannot smile.
There is no end to a void like so.
The man understands.
The beast spreads and contracts,
Stopping each start, beginning the end.
Infinitesimal movements fill the void.
In your ear, the man stands.
“Listen to my music.”
Fear the beast.
Fear the beast.
Fear the man.
From the Editor:
We hope that readers receive In Parentheses as a medium through which the evolution of human thought can be appreciated, nurtured and precipitated. It will present a dynamo of artistic expression, journalism, informal analysis of our daily world, entertainment of ideas considered lofty and criticism of today’s popular culture. The featured content does not follow any specific ideology except for that of intellectual expansion of the masses.
Founded in late 2011, In Parentheses prides itself upon analysis of the current condition of intelligence in the minds of these young people, and building a hypothesis for one looming question: what comes after Post-Modernism?
The idea for this magazine stems from a simple conversation regarding the aforementioned question, which drew out the need to identify our generation’s place in literary history.
To view the types of work we typically publish, preview or purchase our past issues.
Please join our community on Facebook, Twitter, or Instagram at @inparenth.
By In Parentheses in Volume 10
68 pages, published 7/15/2026
In Parentheses is currently reading submissions. Please see the guidelines and submit multimedia, photography, illustrations, poetry, prose, or editorials here.


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