Sebastian Moya is a poet and a writer of fiction. He was raised between El Paso, TX and Ciudad Juárez, Chihuahua and graduated with a degree in Narrative Structure from the University of Southern California. Most of the time, he is bustling between Los Angeles and the Borderland. Artwork by Edward Michael Supranowicz
Phillipe Martin Chatelain is the Founder and Managing Editor of In Parentheses. He holds a Masters Degree in Poetry from The New School and earned a B.A. from Boston University. He writes as someone in the tradition of the urban troubadour or the flaneur–wandering, taking notes. He is a poet from New York City who is entirely compelled by telling the stories that unfold Uptown: a place where what is seen can seldom be believed. He believes that poetry of our generation has taken on a much more digital definition, that a “verse caption” or “lyrical tweet” may be its newest manifestation. Furthermore, it is important for “New Modernist” artists like those exhibited among the pages (physical and virtual) of In Parentheses Literary Magazine to assume all possible forms of media available in order to carry on the lineage of Sublime Art. His chapbook series of poetry entitled “taking shots alone” was self-published in 2012-2015 and a debut self-published collection of works is entitled FACETS (2019) is also available. He curates an urban greenhouse daily @philo.den on Instagram with an emphasis upon the tropical aroids that adorn the landscapes of his motherland Caribbean. Currently, his unemployed days are spent calculating the next direction of his life journey’s winds. As someone who is stricken and intrigued by all, Phillipe can find difficulty finding perfection in all things. His hands grow weary applying his own amendments to the beauty that he touches in order to leave further splendor in its wake. How much of everything is truly ours? Phillipe would like to strongly urge us all to think about the parts of life that we claim that are simply borrowed and would be better utilized with the consciousness not only that some may be temporary but that it must all be shared.
The Spring 2021 Edition of In Parentheses is now available on print and digital platforms! This issue concludes Volume 6 and has a theme of “Open Windows.”
Click here to view the entire edition for free and compatible viewing at our MagCloud marketplace. You may choose to also purchase digital or print editions in various formats. In any case, we thank you for your support of In Parentheses!
Francesca Floris, born in Oristano, Italy, in 1992. I make photos and cartoons. I attended the “Centro Sperimentale di Cinematografia” in Rome. I’ve been working in the film industry as a professional for the past four years. In May 2020, I joined some colleague photographers in working with actors through the medium of the webcam, starting a series of photoshoots that are set during the Covid-19 emergency lockdown in Italy.
S’ammuttadori es parte de nosu.* He knows us all. But how much do we know him? As much as we know ourselves. Anna and Las are both experiencing a busy night full of nightmares. Each of them fights with their ammuntadore, or rather, with their own perception of it. The ammuntadore, in Sardinian culture, represents the demon of the night. He assaults us while we sleep and shows us the origin of our greatest fears. The deepest ones. Anna and Las are both part of two similar stories of lost innocence, albeit in different ways… albeit distant. Yet they find each other. At the end of the journey, at the end of the dream. Las’s destination, once awake, is reached through a quiet inner flight, accompanied, step by step, by the drive towards her true love. Because, even in the dark, it is important to remember that we are not alone.
*In Sardinian: the ammuntadore is part of us.